Lovers and misfits is an exhibition of portraits by Peter Milne taken during the formative years of his artistic practice. Milne first began taking photographs of his friends, family, and the Melbourne punk scene in the 1970s and over the subsequent decades captured a flow of figures including Nick Cave, Anita Lane, Rowland S Howard, and Polly Borland. A Museum of Australian Photography (MAPh) Touring Exhibition
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
The works of Thom Roberts are immediate in their charm, yet underpinned by poignant reflections on identity, perspective and belonging. His exhibition at the National Portrait Gallery in Canberra marks the artist’s first major solo show, bringing together more than a decade’s work spanning painting, installation, sculpture, animation, and works on paper.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
A lavish exhibition adorning Bunjil Place Gallery, in a major partnership with the National Gallery of Victoria, presents over 150 historical and contemporary works—spanning painting, fashion, installation, and so much more—that explore a long history of flowers in art.
