A lock-on is a powerful, non-violent civil disobedience tactic used by protesters to secure themselves in their place of protest. Honouring the legacy of non- violent protest and addressing themes of climate crises and ecofeminism, Karla Dickens presents her first solo exhibition in Muloobinba/Newcastle for New Annual, a “lock-on at The Lock-Up”.
Steffie Yee spent many years gathering stories and images of her family’s history in the town of Branxton, NSW where her parents successfully ran a Chinese restaurant. Yee’s solo exhibition Chinese Restaurant Playground, which celebrates playfulness and joy, recently opened at the Maitland Regional Art Gallery.
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Dangerously Modern: Australian Women Artists in Europe 1890–1940, co-curated by the Art Gallery of South Australia and the Art Gallery of New South Wales, celebrates 50 Australian women artists who travelled to Europe during the early 20th century.
An exhibition of the work of seven women artists at Ngununggula in the Southern Highlands of New South Wales explores themes of tenderness and care through the rich possibilities of paint.
The works of Thom Roberts are immediate in their charm, yet underpinned by poignant reflections on identity, perspective and belonging. His exhibition at the National Portrait Gallery in Canberra marks the artist’s first major solo show, bringing together more than a decade’s work spanning painting, installation, sculpture, animation, and works on paper.
