With: Marian Abboud, Rainbow Chan, Anne-Louise Dadak, Kuba Dorabialski, Deanna Hitti, L-FRESH The LION, Jazz Money, Audrey Newton, James Nguyen and Rachel Schenberg.
For Betty Muffler art making and healing are indistinguishable. Evoking Country through the view of the eagle, she’s now showing in the NGV Triennial alongside a host of international names.
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
From crones to witches to grandmothers, the feminine monstrosity offered by fairy tales is an antidote to our current, unsatisfying forms of female transgression—as a new exhibition at the Gallery of Modern Art reveals.
Since the 1960s Mike Parr has been defining performance art. Known for his performances of extremis, from hacking off a fake arm to burying himself underneath a Tasmanian road for three days. With a new, three-part exhibition at Anna Schwartz Gallery, Parr talks about catharsis, the institutionalisation of performance art, and the motivations behind what he does.
In a new show at the Art Gallery of Ballarat, Ramak Bamzar pays tribute to the women Iran has lost to a brutal regime.
The grassroots women’s art collective Womanifesto, which formed in Thailand in 1995, did not shut down with the rest of the world in 2020. Instead, it adapted, and now the works made by the Sydney contingent during that time are showing at 4A Centre for Contemporary Asian Art.
