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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Piers Greville has won the 2019 Glover Prize, awarded for landscape paintings of Tasmania. The Melbourne-based artist took out the $50,000 prize with his bold graphic painting, Pedder Prime Cuts.
Is it possible to separate the art from the artist?
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