Kulata Tjuta is an ongoing cultural maintenance project that shares the skills of carving and making the punu kulata (wooden spear) across generations.
It started as a project involving a small group of men in Amata and has grown to include over 100 Aṉangu men across the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
Melbourne Art Fair has announced its 2025 line up, with 60 galleries and Indigenous art centres slated to feature alongside some major international commissions and public programs.
