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Cats & Dogs, now showing at the National Gallery of Victoria, explores the ways that the relationships we share with our pets are a source of strangeness and intimacy. But for Giselle Au-Nhien Nguyen, it’s also an exercise in the power of seeing and being seen.
Mitch Cairns’s latest solo exhibition Restless Legs, now showing at the Art Gallery of New South Wales, draws on symbols—from literature, mythology, nature, and home life—to find new pathways into painting.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
First held in 1990 at Araluen Arts Centre in Alice Springs, Desert Mob is the oldest of Australia’s thriving annual program of Aboriginal art fairs. With its 30th anniversary coming up in September 2020, Kate Hennessy looks back on Desert Mob 2019.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
In an era that is saturated with visual information, photographs that change the way we see the world can feel increasingly elusive. We invited three photographers to choose an image that challenges our assumptions about politics and culture during this historical moment.
