Mai Nguyễn-Long and Casey Chen
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
For its 25th edition, the Biennale of Sydney has announced additional artists, project highlights and initial programming, running free to the public from 14 March—14 June, 2026.
In Volle au Fond, Melbourne based artist Yvette Coppersmith incorporates multiple mediums—tapestry, painting, jewellery, film and poetry—to reimagine the myth of Circe, a magical female being brought to life in Homer’s classical text, The Odyssey.
They might have been continents apart, but visual artists Man Ray and Max Dupain were aligned in their experimental vision, as a major exhibition at the Heide attests.
