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Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
Congratulations to Hannah Gartside, who has won the 2024 Woollahra Small Sculpture Prize for her work #19, a piece in her ongoing series Bunnies in Love, Lust and Longing, 2024.
Tim Johnson’s latest exhibition at Tolarno Galleries is borne from a collaboration with a psychology professor and their mutual exploration of spiritual texts.
Artist books are sometimes treated like exhibition postcards and not much more than mementos, but they grapple with intriguing questions about what to document, and how. Jane O’Sullivan reviews three artist monographs from Elizabeth Newman, Kate Tucker and Louise Haselton, and finds some very different strategies.
