Living in an enchanted cottage overhanging the water near Chinaman’s Beach in Mosman for 35 years, award-winning photographic artist Jennifer Blau has drawn inspiration from the ever-changing light, tides and weather.
Suspended above this intersection of land and sea, Jennifer explores the notion of a liminal space. A place between love and loss, the familiar and the unknown, and between presence and impermanence.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
Congratulations to Hannah Gartside, who has won the 2024 Woollahra Small Sculpture Prize for her work #19, a piece in her ongoing series Bunnies in Love, Lust and Longing, 2024.
After six months on the long-abandoned third-floor of Flinders Street Station in Melbourne, TIME • RONE has found its way to Perth, inside the historical Centenary Galleries—a wing of the Art Gallery of Western Australia that has been closed for over 20 years.
In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.
