Kirsten Coelho
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Artists have long been consumed with what we eat, seen appetites as a metaphor for nourishment and vulnerability. But as Lee Tran Lam finds out, the new wave of collaborations between the worlds of art and food signals a growing cultural desire to break down barriers—and forge new connections in unexpected ways.
The National Gallery of Australia’s latest Know My Name exhibition presents the work of Australian fashion pioneers Jenny Kee and Linda Jackson alongside pieces by Sonia Delauney, tracing the French artist and designer’s influential use of colour and light.
The quietly evocative work of James Tylor reimagines imperial legacies and illuminates a hidden past. Turrangka… In The Shadows, Tylor’s touring retrospective exhibition, is now showing at Mornington Peninsula Regional Gallery.
Hong Kong Art Week kicks off this week and Australian galleries are getting down to the business of showcasing their artists on this globally significant art world stage.
Buoyed by rich feminist histories, the multifaceted work of Zanny Begg, who is now showing at the Western Plains Cultural Centre, reveals the possibility of paths not taken and the way age-old legacies persist.
In their debut solo exhibition Extinguishing Hope, now showing at UTS Gallery, Akil Ahamat uses darkness—both literal and metaphorical—to examine what can be gained when everything is lost.
