Sam Varian, KJ Bishop, John O’Loughlin, Dean Bowen and Brenda Walsh.
This is the second iteration exhibition at Cascade about the idea of imagination. These artists have created sophisticated, expressive, often narrative and personal sculptures in bronze and ceramic form. Playful and dramatic etchings, lithographs and oil paintings complete this exhibition. Opening Saturday 10 May, 2pm.
Inspired by different genres of fiction and digital media, the artists in Ghost in the Machine at Outer Space, Brisbane consider avatars, ghosts, masks and levels of embodiment to ask: what if I’m more real when I’m projecting?
In Queer Territory at the Northern Centre for Contemporary Art, Darwin, curator Maurice O’Riordan has drawn together diverse works from the 1980s to the present day to present a snapshot of queer practice in the Territory.
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
In his first commercial presentation in Australia, one of Mexico’s most acclaimed contemporary artists uses his architectural background to create poetic, finely calibrated sculptural investigations of spatial perception, balance and equilibrium. Jose Dávila’s Physics of Uncertainty is now showing at COMA Gallery.
There are many parallels between skin and painting. “Paint is a thin skin on a surface—a layer that transmits ideas into the world,” writes Jennifer Higgie in Thin Skin, the accompanying publication to a 2023 exhibition featuring paintings by thirty-six Australian and international artists.
Phuong Ngo’s first major solo exhibition Inheritance, now showing at West Space, spans generations and continents, incorporates objects bought and sold across family lines, and draws on both spiritual and everyday rituals.
