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Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
GAGPROJECTS, a mainstay of the Adelaide art scene, has announced that the Kent Town space it has operated out of for 32 years will close at the end of August.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With showings at the Art Gallery of New South Wales and Rockhampton Museum of Art, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
An exhibition at Flinders University Museum of Art is showcasing the iconic posters and prints to come out of the Progressive Art Movement (PAM)—a group of artists activists that started in Adelaide in the 1970’s.
In times of scarcity and the Anthropocene, our homes, dwellings and emergency shelters take on a charged, emotive, and fundamental meaning—as Kasia Töns’s textile creations, now at Ararat Gallery TAMA, show us.
