Congratulations to Julie Fragar, who has won the 2025 Archibald Prize for Flagship Mother Multiverse (Justene), her portrait of fellow artist and colleague Justene Williams.
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
Pia Murphy leans into curiosity for her latest exhibition at Nicholas Thompson Gallery. Look What I Found is “referring to that experience in childhood of discovering surprising things in nature.” It’s a methodology Murphy uses in her practice, working with the sole intention of honest discovery.
It feels like everything is slowly but surely being affected by the rise of artificial intelligence (AI). And like every other disruptive technology before it, AI is having both positive and negative outcomes for society. One of these negative outcomes is the very specific, yet very real cultural harm posed to Australia’s Indigenous populations.
Joan Ross has long used her multidisciplinary practice to challenge the enduring legacy of colonialism in Australia. Her latest exhibition at the National Portrait Gallery shows significant works from throughout her career alongside key pieces from the NPG collection.
In his first commercial presentation in Australia, one of Mexico’s most acclaimed contemporary artists uses his architectural background to create poetic, finely calibrated sculptural investigations of spatial perception, balance and equilibrium. Jose Dávila’s Physics of Uncertainty is now showing at COMA Gallery.
