This significant exhibition is a result of a residency spent in the Molise region of Italy during the spring of 2024. Artist Melinda Giblett explores the conceptual and technical possibilities of her painting and drawing practice on country of a different kind, bridging the divides of location and origin.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
Elysha Rei’s exhibition Shirozato to Shinju (White Sugar and Pearls) at Umbrella Studio Contemporary Arts, Townsville QLD, explores the interconnected histories of the Japanese diaspora in Australia.
Described as “a space for reflection, remembrance, and the sharing of truth”, Kattidj Nagãr, now showing at John Curtin Gallery, is dedicated to the Aboriginal people who once resided at the Carrolup Settlement in Western Australia.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
