Fayen d’Evie, Carol Dobson, Jenny Hickinbotham, Helen Johnson, Alecia Neo, Finnegan Shannon and Lukaza Branfman-Verissimo, and Grace Wood.
Curated by Amelia Wallin and Jacina Leong.
The winning painting of this year’s Archibald Packing Room Prize reflected a changing of the guard in the packing room, as well as an evolution of the broader prize, with artists increasingly choosing to paint their fellow artists. The Archibald Prize 2025 currently is on display at Geelong Gallery.
Mundamurra Ngijinda Dulk—My Island Home at Cairns Art Gallery, is a landmark exhibition dedicated to the late Mirdidingkingathi Juwarnda Sally Gabori, one of the most singular voices in Australian contemporary painting.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
