Hair Pieces explores the evocative and complex significance of hair in art, history and contemporary culture. Encompassing ideas about gender, mythology, status and power, the body, psychology, feminism and notions of beauty, this exhibition investigates why hair is such a resonant and compelling site of meaning.
Curated by Melissa Keys.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Fabrication, a co-curatorial project now showing at DRAW Space, brings together 10 contemporary artists working in the intersections of drawing and digital fabrication.
In 1841, the women aboard a British convict ship crafted a large-scale quilt known as ‘The Rajah quilt’. It’s one the most requested items from the National Gallery of Australia’s collection—and it’s now showing alongside a further 21 quilts, many crafted by women.
With scores of artists in the current 24th Biennale of Sydney, we look at nine artists from around the world participating in the event, from a Japanese queer icon to a Polish film director, to creations of Māori barkcloth to Indian tattoos.
