Maria Fernanda Cardoso
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For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
A major exhibition charts the ingenuity and creative spirit coming out of the Yirrkala community across time. In collaboration with Buku-Larrŋgay Mulka Art Centre,Yolŋu Power: the art of Yirrkala is now showing at the Art Gallery of New South Wales.
In Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie currently showing at the National Gallery of Australia, viewers are invited to share a journey through the history of modern art from across the globe.
Grace Wood’s new exhibition for Heide Museum of Modern Art intertwines personal, familial, and artistic archives. Consisting of textile and digital collage, Wood traces lines of inheritance and influence to position the garden as a site of both personal and artistic cultivation.
