A photographic exhibition from the Arnhem Land Progress Aboriginal Corporation (ALPA) celebrating 50 years of Yolŋu economic independence, enterprise, self-determination, culture and ingenuity.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
The brand new 10km Mosman Art Trail features landmarks that have inspired generations of artists, including Arthur Streeton, Margaret Preston, Susan Rothwell and Jasper Knight. With accompanying reproductions of artworks at various sites on the walk, it’s a chance to reflect how artists interpret the landscape.
“I guess that is the thread, that I am very open to influences that come into my life, you know, and I respond to them,” says Suzanne Archer in The Long Run, Art Guide’s latest podcast series featuring interviews with artists who have 60-year practices.
Known for her beguiling, stained canvases, and her evocation of matrilineal Indigenous histories, Waanyi artist Judy Watson is now embarking on a 40-year survey at the Queensland Art Gallery.
25-year-old Serwah Attafuah is known for her hyper-luminescent dreamscapes and cybernetic archetypes. In her Sydney studio she discusses the scavenger methods, ancestral rituals, and socio-ecological concerns that scaffold her practice—and why The Matrix helps her understand the world.
An exhibition at UQ Art Museum centres the relationship between culture, tradition and the ocean, and illuminates how intergenerational storytelling, tied to oceanic themes, might subvert settler-colonial narratives.
