Grounded focuses on cultural practices that have been passed down through generations of family members to the artists – Glennys Briggs, Glenda Nicholls, and Treahna Hamm. For each of the artists the works and the heritage they invoke demonstrate the knowledge, kinship, connection, comfort, and care that their ancestors experienced within family and nation prior to 1788.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
Congratulations to Robert Fielding, who has won the 2024 Bowness Photography Prize for Sacred earth/Manta Miil miilpa. The winning work, along with the 73 finalists, are now on display at the Museum of Australian Photography.
In a conversation with Lauren Carroll Harris for her survey exhibition at the Museum of Contemporary Art, Julie Rrap discusses 40 years of challenging the male gaze, and the cultural invisibility of the ageing female body.
