Kingston Arts
Group exhibition
Generations: connections to Country
Maree Clarke, Mitch Mahoney, Jarra Karalinar Steel, Kylie Clarke, Molly Mahoney and Kerri Clarke
Tidal Volume Series
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Maree Clarke, Mitch Mahoney, Jarra Karalinar Steel, Kylie Clarke, Molly Mahoney and Kerri Clarke
In an Australian first, the Art Gallery of Western Australia presents Moving Landscape—an exhibition by internationally acclaimed US artist Sam Contis, curated alongside Dr Anna Arabindan-Kesson.
Hobart-based Max Mueller’s In the Sticks exhibition at Handmark Gallery features oil-on-linen works that show tranquil scenes of Tasmania, musing on how nature is managed and maintained in a context of civilisation and curation.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
Described as “a space for reflection, remembrance, and the sharing of truth”, Kattidj Nagãr, now showing at John Curtin Gallery, is dedicated to the Aboriginal people who once resided at the Carrolup Settlement in Western Australia.
The cancellation of Khaled Sabsabi’s presentation at Venice Biennale signals a long-simmering breakdown of trust between artists and institutions—one that risks threatening the breadth and depth of artistic expression in Australia for generations to come. Dee Jefferson reports.
