Abdul-Rahman Abdullah, Hoda Afshar, Megan Cope, Eugenia Flynn, D Harding, Saodat Ismailova, Ali Tahayori, Larissa Sansour & Soren Lind, Khaled Sabsabi, Yhonnie Scarce, Hossein Valamanesh.
In an Australian first, the Art Gallery of Western Australia presents Moving Landscape—an exhibition by internationally acclaimed US artist Sam Contis, curated alongside Dr Anna Arabindan-Kesson.
Hobart-based Max Mueller’s In the Sticks exhibition at Handmark Gallery features oil-on-linen works that show tranquil scenes of Tasmania, musing on how nature is managed and maintained in a context of civilisation and curation.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
As I walk through the suburban streets, I find myself thinking about the publication Speech Patterns: Nadia Hernández & Jon Campbell. It accompanied their two-person exhibition at The Art Gallery of Western Australia in 2022, which explored their shared preoccupations with class, identity and value systems.
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
Premiering at the Sydney Film Festival, artist, curator and filmmaker Nikki Lam’s The Unshakeable Destiny trilogy, shot on 16mm, Super 8 and digital, explores her hyphenated identity as a “settler-migrant”, through an upbringing in “city-state” Hong Kong and the enduring influence this has over her artistic practice in Australia.
