In her 19th solo exhibition with the gallery since 1983, Linda Marrinon continues her distinctive reimagining of art historical tropes through hand-modelled plaster and bronze forms. Drawing on the aesthetics of classical antiquity and 19th century studio practice, these sculptures adopt the gestures, accessories and attitudes of bygone eras while gently unsettling their authority.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
Gabriela Burkhalter’s The Playground Project at Incinerator Gallery reinvents the typically serious installation space, inviting children to play, reminding us of its importance within the arts.
A new exhibition by Melbourne painter Lisa Radford is animated by a deep interest in the way ideas circulate—and the connections between people that unfold over time.
Gaypalani Waṉambi has just won the 2025 National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Australia’s longest running and most prestigious art awards of its kind.
In the cavernous spaces of Hobart’s Museum of Old and New Art, the large-scale kinetic sculptures of Arcangelo Sassolino are teetering on the brink.
At 90, Janet Dawson has spent a life drawn to the light and energy of the natural and celestial worlds as she crosses boundaries of abstraction and figuration. A retrospective at the Art Gallery of New South Wales charts the evolution of her practice.
