This work reflects the moment when Bagariin (the sun) touches Nadjung (the water), creating Djinindjinindiri, (Sparkling ray of light) that dances across the surface, alive with meaning. It is a reminder that Country is always speaking, if we take the time to see and listen.
Steffie Yee spent many years gathering stories and images of her family’s history in the town of Branxton, NSW where her parents successfully ran a Chinese restaurant. Yee’s solo exhibition Chinese Restaurant Playground, which celebrates playfulness and joy, recently opened at the Maitland Regional Art Gallery.
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Described as “a space for reflection, remembrance, and the sharing of truth”, Kattidj Nagãr, now showing at John Curtin Gallery, is dedicated to the Aboriginal people who once resided at the Carrolup Settlement in Western Australia.
Blak In-Justice, now showing at Heide Museum of Modern Art, challenges the brutal systems that shape Indigenous incarceration in Australia—while charting the healing power of ancestral knowledge in the process.
Traversing boundaries of the senses and of class, the work of Tina Stefanou is grounded in community. A solo exhibition at ACCA and a group exhibition at Bundanon showcase her work with unlikely collaborators.
