PARKER Contemporary’s summer exhibition, Contemporaries, marks the gallery’s end-of-year show, offering opportunities to collect works that reimagine printmaking, papermaking, and artists’ books. Bringing together dynamic practices, the exhibition highlights these mediums as living processes, transformed by contemporary urgency and experimentation.
Opening night – Friday, 12 December, 6pm–8pm.
Online until 10 January.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
For its 25th edition, the Biennale of Sydney has announced additional artists, project highlights and initial programming, running free to the public from 14 March—14 June, 2026.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
In Volle au Fond, Melbourne based artist Yvette Coppersmith incorporates multiple mediums—tapestry, painting, jewellery, film and poetry—to reimagine the myth of Circe, a magical female being brought to life in Homer’s classical text, The Odyssey.
In her solo exhibition at the Art Gallery of New South Wales, Raquel Caballero imagines L Frank Baum’s wonderful world of Oz in full, glittering technicolour.
