Sergio demonstrates his artistic purpose of documenting his impressions of the Australian landscape – the raw beauty, colours and textures – the allure of our unique place and his reverence for nature.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
Congratulations to Hannah Gartside, who has won the 2024 Woollahra Small Sculpture Prize for her work #19, a piece in her ongoing series Bunnies in Love, Lust and Longing, 2024.
Congratulations to Robert Fielding, who has won the 2024 Bowness Photography Prize for Sacred earth/Manta Miil miilpa. The winning work, along with the 73 finalists, are now on display at the Museum of Australian Photography.
The National Gallery of Australia is contemplating the complicated legacy of Paul Gauguin through a Polynesian perspective in Gauguin’s World: Tōna Iho, Tōna Ao.
Four Aboriginal women artists are arming themselves with culture and art, showing us the power of matriarchal bonds and sisterhood, in These Arms Hold at Incinerator Gallery.
Artist books are sometimes treated like exhibition postcards and not much more than mementos, but they grapple with intriguing questions about what to document, and how. Jane O’Sullivan reviews three artist monographs from Elizabeth Newman, Kate Tucker and Louise Haselton, and finds some very different strategies.
