The third exhibition in a series marking 100 years of public collecting at MAG&M. The exhibition celebrates a major milestone for MAG&M – our Collection is now accessible online!
One hundred images of rarely-seen works from our Photography Collection depicting the evolution of swimwear will be projected in the space, accompanied by swimwear pieces from the Museum Objects Collection.
With their iconic painted poker machines and installations, notably featured in the 2020 Biennale of Sydney, the Tennant Creek Brio are now taking over Melbourne with a new show at the Australian Centre for Contemporary Art.
Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
Congratulations to Zoe Grey, who has won the $100,000 Hadley’s Art Prize for her work The Shape of Rock, a painting depicting the landscape of her Tasmanian hometown, Marrawah.
Artist books are sometimes treated like exhibition postcards and not much more than mementos, but they grapple with intriguing questions about what to document, and how. Jane O’Sullivan reviews three artist monographs from Elizabeth Newman, Kate Tucker and Louise Haselton, and finds some very different strategies.
The annual South Australian Living Artists (SALA) Festival is a much-beloved, month-long celebration of contemporary art and artists across South Australia—and this year’s feature artist is Julia Robinson.
