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In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Peter Hill interviews Simryn Gill about the exhibition Stolon Press: Flat earth at Monash University Museum of Art.
Community is the foundation of Claire Conroy’s exhibition at Lismore Regional Gallery. As a new arrival to the area, her art practice ties her to fellow artists, while her medium, camera obscura, allows for a deepening of social connections with her sitters as they commit to the shoot.
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
In an Australian first, the Art Gallery of Western Australia presents Moving Landscape—an exhibition by internationally acclaimed US artist Sam Contis, curated alongside Dr Anna Arabindan-Kesson.
