CIAF’s inaugural Catapult recipient, Badu Island based Matilda Nona, fuses her printmaking processess of relief printing and monoprinting, with a traditional approach to ink making using fermenting mango juice, ochre, and charcoal from her Torres Strait homeland.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
The cancellation of Khaled Sabsabi’s presentation at Venice Biennale signals a long-simmering breakdown of trust between artists and institutions—one that risks threatening the breadth and depth of artistic expression in Australia for generations to come. Dee Jefferson reports.
Hong Kong Art Week kicks off this week and Australian galleries are getting down to the business of showcasing their artists on this globally significant art world stage.
An exhibition of the work of seven women artists at Ngununggula in the Southern Highlands of New South Wales explores themes of tenderness and care through the rich possibilities of paint.
