Emerging glass artist, Bronte Cormican- Jones responds to the architectural space of the Glassworks Smokestack Gallery. Interested in our physical responses to the infrastructure around us, her practice is primarily sculptural, exploring spatial practice through object, installation, performance, and photography.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
Premiering at the Sydney Film Festival, artist, curator and filmmaker Nikki Lam’s The Unshakeable Destiny trilogy, shot on 16mm, Super 8 and digital, explores her hyphenated identity as a “settler-migrant”, through an upbringing in “city-state” Hong Kong and the enduring influence this has over her artistic practice in Australia.
In an Australian first, the Art Gallery of Western Australia presents Moving Landscape—an exhibition by internationally acclaimed US artist Sam Contis, curated alongside Dr Anna Arabindan-Kesson.
Artists communicate across space and time in the expansive inaugural exhibition, 65,000 Years: A Short History of Australian Art at the newly renovated Potter Museum of Art.
