Breathform is Athan’s first solo exhibition in a major institution, awarded as the 2025 recipient of the Institute of Modern Art’s .
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
Artists communicate across space and time in the expansive inaugural exhibition, 65,000 Years: A Short History of Australian Art at the newly renovated Potter Museum of Art.
Multidisciplinary artist Tara Marynowsky reveals where she finds inspiration, the best time of day for creating and what we can expect to see in her current solo show Cave at Edwina Corlette Gallery.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
