Bleak House: Dark Visions sets the stage for a journey into the less explored realms of human experience, where viewers are invited to confront the darker aspects of our inner world.
Congratulations to Julie Fragar, who has won the 2025 Archibald Prize for Flagship Mother Multiverse (Justene), her portrait of fellow artist and colleague Justene Williams.
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
Pia Murphy leans into curiosity for her latest exhibition at Nicholas Thompson Gallery. Look What I Found is “referring to that experience in childhood of discovering surprising things in nature.” It’s a methodology Murphy uses in her practice, working with the sole intention of honest discovery.
Curated by cross-disciplinary art collective KINK, the Institute of Modern Art’s You Are Here Too is an homage to–and expansion of–one of the most significant shows in the history of queer Australian art, thirty-three years on.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
Traversing boundaries of the senses and of class, the work of Tina Stefanou is grounded in community. A solo exhibition at ACCA and a group exhibition at Bundanon showcase her work with unlikely collaborators.
