What happens when the cardboard box becomes a vessel for ideas or concepts? In this exhibition we will seek to explore ways in which Australian artists in the 21st century leverage the materiality of such a modest item and incorporate it into their artworks as a way of engaging in the concepts which concern them.
The participating artists are: Gabrielle Bates, Patrizia Biondi, Tracey Clement, Scott Duncan, David Manley, Sean Rafferty.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
Campbelltown Arts Centre’s in every room presents rich socio-political histories and personal storytelling, with works by Lara Chamas, Jagath Dheerasekara, Kuba Dorabialski, Roberta Joy Rich, Sancintya Mohini Simpson and Curtis Taylor.
Artist Khaled Sabsabi and curator Michael Dagostino have been recommissioned by Creative Australia as the Artistic Team for the Australia Pavilion at the 2026 Venice Biennale.
Grace Wood’s new exhibition for Heide Museum of Modern Art intertwines personal, familial, and artistic archives. Consisting of textile and digital collage, Wood traces lines of inheritance and influence to position the garden as a site of both personal and artistic cultivation.
Language folds into form in the poetic yet monumental light sculptures of Welsh artist Cerith Wyn Evans, whose solo exhibition … in light of the visible is at the Museum of Contemporary Art, Sydney.
