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Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
The marine life of the Great Southern Reef is the landscape behind Vera Möller’s latest abstract paintings, now showing at Philip Bacon Galleries.
In the latest instalment of the Ladies Lounge saga at Hobart’s Museum of Old and New Art (MONA), curator Kirsha Kaechele has revealed she faked a number of Pablo Picasso paintings hanging in the gallery’s new ladies toilets, established in response to the forced closure of the Ladies Lounge earlier this year.
Tim Johnson’s latest exhibition at Tolarno Galleries is borne from a collaboration with a psychology professor and their mutual exploration of spiritual texts.
Artist books are sometimes treated like exhibition postcards and not much more than mementos, but they grapple with intriguing questions about what to document, and how. Jane O’Sullivan reviews three artist monographs from Elizabeth Newman, Kate Tucker and Louise Haselton, and finds some very different strategies.
