Avery Collie: Hazard Area
Hazard Area is Avery Collie’s first solo exhibition, named for the “Do Not Enter” signs on bedroom doors of teens in the 2010s.
Ashe: This too shall pass
Advertisement
Advertisement
Hazard Area is Avery Collie’s first solo exhibition, named for the “Do Not Enter” signs on bedroom doors of teens in the 2010s.
Congratulations to Julie Fragar, who has won the 2025 Archibald Prize for Flagship Mother Multiverse (Justene), her portrait of fellow artist and colleague Justene Williams.
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
Pia Murphy leans into curiosity for her latest exhibition at Nicholas Thompson Gallery. Look What I Found is “referring to that experience in childhood of discovering surprising things in nature.” It’s a methodology Murphy uses in her practice, working with the sole intention of honest discovery.
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.
Curated by cross-disciplinary art collective KINK, the Institute of Modern Art’s You Are Here Too is an homage to–and expansion of–one of the most significant shows in the history of queer Australian art, thirty-three years on.
The National Gallery of Australia’s latest Know My Name exhibition presents the work of Australian fashion pioneers Jenny Kee and Linda Jackson alongside pieces by Sonia Delauney, tracing the French artist and designer’s influential use of colour and light.
