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In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Shaped by the movement between histories and cultures, the work of Thai-born, Aotearoa-raised artist Sorawit Songsataya draws on mystery and plurality as a means of knowing the world. The artist is now showing at Australian Centre for Contemporary Art and Monash University Museum of Art.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
Partners in life and art, Will and Garrett Huxley’s sequined wonderland pays homage to their queer artist forebears. Their first collective survey, now showing at Fremantle Arts Centre, unfurls a decade of photography, music recordings, costume, film and performance.
To coincide with the presentation of the 3rd Bankstown Biennale: Same Same/Different, Gillian Kayrooz spoke to Karina Dias Pires about how food can express the complexities of culture and difference—and spark unlikely connections across time and place.
A touring exhibition based on a publication of the same title, Bulaan Buruugaa Ngali celebrates Bundjalung artists revitalising the practice of basket weaving, as well as the Bundjalung language—two forms of knowledge that are deeply connected. The exhibition is now showing at Tweed Regional Gallery & Margaret Olley Art Centre.
