This exhibition is an annual shortlisted showcase of contemporary works by Muslim-Australian artists. Featuring diverse approaches to both visual and Islamic art forms, the exhibition celebrates the rich cultural heritage, creative innovation, and multifaceted identities of Muslim artists today.
In an Australian first, the Art Gallery of Western Australia presents Moving Landscape—an exhibition by internationally acclaimed US artist Sam Contis, curated alongside Dr Anna Arabindan-Kesson.
Hobart-based Max Mueller’s In the Sticks exhibition at Handmark Gallery features oil-on-linen works that show tranquil scenes of Tasmania, musing on how nature is managed and maintained in a context of civilisation and curation.
Inspired by the ways in which nature informs creativity, the exhibition Material Nature, now showing at Drill Hall Gallery, aims to encourage viewers to think deeply about the human connection to the natural world.
The cancellation of Khaled Sabsabi’s presentation at Venice Biennale signals a long-simmering breakdown of trust between artists and institutions—one that risks threatening the breadth and depth of artistic expression in Australia for generations to come. Dee Jefferson reports.
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
Curated by artistic director Hoor Al Qasimi, the program is centred by the theme of Rememory. Originating from author Toni Morrison, the ideas seek to explore the intersection of memory and history—revisiting, reconstructing and reclaiming histories that have been erased or repressed.
