“This body of work titled ‘Aunties’ is about conversations. These women are engaged in listening and sharing stories, ideas and thoughts with others. Aunties represent a place of impartiality, love and respect in families, and in communities that can offer discussions and knowledge without judgement. A place of trust and empathy.” – Kim Barter.
With their iconic painted poker machines and installations, notably featured in the 2020 Biennale of Sydney, the Tennant Creek Brio are now taking over Melbourne with a new show at the Australian Centre for Contemporary Art.
Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
Described as a fair within the Fair, the PAPER sector of Sydney Contemporary—which encompasses prints, drawings, photography, artist books and zines—reveals the magic of the medium.
In Lands of Light, Tasmanian Museum and Art Gallery focuses on Lloyd Rees’s (1895-1988) late paintings inspired by the Tasmanian landscape, while also contextualising them within his earlier work.
The winners of the 2024 Telstra National Aboriginal and Torres Strait Islander Art Awards have been announced. Congratulations to Noli Rictor, who has won the Telstra Art Award for his painting Kamanti.
