Me and the Girls Don’t Want to be Boxed
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Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
With works from Tuppy Ngintja Goodwin, Betty Pumani and Robert Fielding, Aboriginal-owned Mimili Maku Arts’ first exhibition with Ames Yavuz is an opportunity to celebrate the milestone of their 20 year anniversary, as well as the ways of working that are integral to the centre and Aṉangu culture.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
In Form and feeling, The Art Gallery of Western Australia takes key pieces of early 20th-century modern British and Australian painting from their collection and presents them alongside preparatory sketches and drawings, systematically creating a narrative of how a painting comes to be.
Buoyed by the power of love and the spirit of artistic invention, Mostafa Azimitabar’s new solo exhibition at Maitland Regional Gallery turns dehumanising narratives on their head.
From matrescence-themed collages and intimate family portraits to a series of events centred on the intersection of design and fertility, revisit six pieces from the Art Guide archives that explore the relationship between art and motherhood.
