Through the Western Sydney University Urban Transformation Summer School, architecture and interior design students investigate the intricate multicultural urban landscape of Bankstown.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
Traversing boundaries of the senses and of class, the work of Tina Stefanou is grounded in community. A solo exhibition at ACCA and a group exhibition at Bundanon showcase her work with unlikely collaborators.
Amanda Bell’s poignant new commission for the Perth Institute of Contemporary Arts transforms the heaviness of history and unsettles hierarchies of place.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
