In 2023, Andrew Rogers generously gifted 31 sculptures, valued at $6.1 million, to the Deakin University Art Collection. This generous donation is the largest philanthropic gift to the University Art Collection and is an historically significant contribution to the University.
Using this exhibition as a starting point, read about the significance of the sculptures as you start your self guided tour through the works on display at the Melbourne Burwood campus.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.
Congratulations to Robert Fielding, who has won the 2024 Bowness Photography Prize for Sacred earth/Manta Miil miilpa. The winning work, along with the 73 finalists, are now on display at the Museum of Australian Photography.
Stepping into Sarah Contos’s sprawling home studio in Kyle Bay, in southern Sydney, feels like a step inside the artist’s inventive and inquisitive brain—apt given that Contos’s upcoming show at UNSW Galleries, Eye Lash Horizon, explores aspects of what makes us human.
