Elemental curatorial series: worded expansion | four artists | responsive installation.
Opening celebration Thursday 5 June, 6pm–8pm. All welcome.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
Bruce Johnson McLean, one of Australia’s leading voices on First Nations art, has been appointed the Fondation Cartier pour l’art contemporain First Nations curatorial fellow for the next Biennale of Sydney. Steve Dow talks with Johnson McLean on his storied history, and what he hopes to achieve in the 2026 Biennale.
The quietly evocative work of James Tylor reimagines imperial legacies and illuminates a hidden past. Turrangka… In The Shadows, Tylor’s touring retrospective exhibition, is now showing at Mornington Peninsula Regional Gallery.
Curated by cross-disciplinary art collective KINK, the Institute of Modern Art’s You Are Here Too is an homage to–and expansion of–one of the most significant shows in the history of queer Australian art, thirty-three years on.
