Exploring how physical environments shape our experiences and identities through the medium of glass. This collection reflects the connection between space and personal perception with a particular focus on the Perth hills, the sea and the striking colours of Italy.
Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
With works from Tuppy Ngintja Goodwin, Betty Pumani and Robert Fielding, Aboriginal-owned Mimili Maku Arts’ first exhibition with Ames Yavuz is an opportunity to celebrate the milestone of their 20 year anniversary, as well as the ways of working that are integral to the centre and Aṉangu culture.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
In a new photography exhibition at the Immigration Museum, Nigerian-Australian photographer Dr Ayooluwatomiwa ‘Ibukun’ Oloruntoba is exploring what it means to be African-Australian, while highlighting the importance of culturally safe spaces for diasporic communities in Australia.
Equal parts monumental and fleeting, the sand sculptures of French artist Théo Mercier chart the histories—beyond our lines of vision—that a landscape reveals and conceals. Mercier’s MIRRORSCAPE is now showing at Mona.
From matrescence-themed collages and intimate family portraits to a series of events centred on the intersection of design and fertility, revisit six pieces from the Art Guide archives that explore the relationship between art and motherhood.
