Brian Cassey is a longterm photojournalist for Australian and international media. This exhibition concentrates on the ordinary people (and the extraordinary people) Brian has encountered in recent years.
A companion exhibition, Word On The Street, featuring photographs by young photo-enthusiasts under the guidance of Brian stories by a local cadet journalist, is presented simultaneously at Mulgrave Gallery.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Shaped by the movement between histories and cultures, the work of Thai-born, Aotearoa-raised artist Sorawit Songsataya draws on mystery and plurality as a means of knowing the world. The artist is now showing at Australian Centre for Contemporary Art and Monash University Museum of Art.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
In her audacious new exhibition, the Filipina Australian artist Marikit Santiago skewers the myths of the western canon and give pleasure and power—as experienced by women of colour—an arresting new form.
For La Trobe University’s Biannual Façade Commission, artist Roberta Joy Rich brings the dark corners of archival material into the light. On the glass frontage of the La Trobe Art Institute in Bendigo, Rich has created a work using sound, image and text to explore the South African diaspora.
The images of Haitian-French photographer Henry Roy—on display for the first time at the Art Gallery of Western Australia—are a tribute to the landscapes that loom large in our imagination and a beguiling antidote to the brutality of the world.
