Encompassing large-scale painting, sculpture, printmaking, and video, A Murriality is the first survey of renowned Waanyi artist Gordon Hookey, charting three decades of work fusing art and activism.
Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
Madjem Bambandila: The Art & Country of Kelly Koumalatsos is a community approach to storytelling. A testament to living culture, the new monograph published by Museums Victoria centres on a cultural activist and artist known for reviving possum skin cloak making in the South East of Australia.
From the NATSIAAs to Kathryn Dwyer, Darwin Festival returns for 2024 with a program that emphasises the breadth of contemporary Indigenous art in the Northern Territory.
Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.
