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Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
Anne Zahalka’s retrospective at the Museum of Australian Photography offers the chance to see 40 years of her revered photographs. In our interview she talks about reflecting on her work, the necessity of humour, and making art in times of political and climate crises.
In 1841, the women aboard a British convict ship crafted a large-scale quilt known as ‘The Rajah quilt’. It’s one the most requested items from the National Gallery of Australia’s collection—and it’s now showing alongside a further 21 quilts, many crafted by women.
In the most significant exhibition of his career to date at Pinnacles Gallery, Danish Quapoor explores the contradictory emotions of grief while navigating complex shifts in identity and belonging.
