For the second feature in Art Guide Australia’s series which focuses on a single artwork, Tracey Clement examines another piece which addresses the climate crisis. She burst into tears watching Laresa Kosloff’s online video, Radical Acts, and spoke to the artist about telling stories with dark humour.
Coelho creates porcelain objects that marry expert technique to timeless evocations of functional forms.
Panic Buy, a collaborative exhibition by Tiyan Baker and Guy Louden, is a unique innovative deconstruction of a pandemic-induced phenomenon.
With ambition and an urgency fitting for the times, this year’s Tarnanthi exhibition honours Blak matriarchies.
Anna Louise Richardson’s documentations of rural farm life also function as memento mori: allegories of mortality, of existential dread.
Artists dig into recent art history to explore queer identities here and now.
Tracey Clement spoke to the Melbourne-based painter about his ongoing environmental concerns, Spanish heritage and his instinct to turn to imaginary creatures for inspiration during lockdown.
Good news for Melbourne with the National Gallery of Victoria (NGV) announcing today that the NGV Triennial is due to open on 19 December.
Curated by the Ballarat International Foto Biennale, the Mass Isolation project asks viewers in Australia, and most pertinently, at least right now, in Melbourne, to share their photographs of self-isolation with the tags #massisolation and #massisolationAUS.
In a time of isolation, designers collaborate on objects for a better collective future.
Lesley Dumbrell has been breaking gender barriers in abstract art for over 50 years.
Sydney Contemporary, in the absence of a physical version of the annual international art fair, is embracing digital possibilities with gusto with a new initiative, Sydney Contemporary Presents 2020, which is open online from 1-31 October.
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