Wurundjeri and Dja Dja Wurrung woman Stacie Piper has been appointed as First Peoples Curator at the TarraWarra Museum of Art as part of the Yalingwa initiative.
The exhibition features Henson’s series Untitled 1985–86– informally known as ‘the suburban series’ – and a new body of work commissioned by Monash Gallery of Art for its 25th anniversary, Untitled 2018–19.
Invisible Threads places emphasis on Kotai’s more recent fabric collages, a technique she happened on by chance in the early 2000s.
In two new projects, Julie Gough continues her excavation of Tasmania’s First Nation history and the impact of colonisation.
Encompassing both created and found objects, jewellery, film, images, installation and sculpture, no surface holds marks the first time Catherine Truman’s science-influenced works have been brought together.
A jeweller friend remarked to me that if you come across work in a jewellery show and can’t immediately recognise who made it, it is probably by Lisa Walker.
The winner of the 2019 Telstra Art Award is Djambawa Marawili AM with his work Journey to America.
For the new instalment of their Living Treasures series, the Australian Design Centre invited ceramicist Prue Venables to exhibit a new collection of her enigmatic, metal-augmented porcelain objects.
Susan Norrie has been awarded $50,000 as recipient of the third annual Don Macfarlane Prize. The award is given to a senior Australian artist to spend as they please; no particular outcomes are required.
“Look at the screen, I’m on my way to make heaven,” gargles the voice of a bodiless cubist head talking on a loop as you enter Fox Jensen Gallery.
“I was aware that the scale of my work is relative to me. I had created a habituated practice relative to my body size and it was something I sought to extend. I wanted to create larger, more immersive scenes in painting.”
Blak Douglas has won the 2019 Kilgour Prize with his large graphic portrait of actress and singer Ursula Yovich.
Get the latest news delivered straight to your inbox.
