Danie Mellor’s new online exhibition at Tolarno Galleries, The Sun Also Sets, made up of paintings and large-format photomontages, is a deeply considered meditation on time, culture and the notion of ‘landspace.’
With Friendship as a Way of Life, curators Doley and José da Silva present a celebratory testament to the way that LGBTQI+ artists and communities have imparted space, time and support to one another by building kinship structures.
Curious, mystical, humourous and bittersweet, Willoh S. Weiland uses her smartphone to give us a sense of living and working in Hobart.
Living and working from Mimili in the APY Lands, Robert Fielding, via his smartphone, shows us the beauty of his surrounds.
The theme of the 2020 Cairns Indigenous Art Fair is The Cultural Evolution.
Lightning bolts, textiles painting, Sonic Youth, smiley faces and sculpture: with her smartphone, Nell has captured her life and art making in her Sydney home.
Using her smartphone, Julia Robinson is giving us a look into her life and practice: her textiles, her cat Chewbacca, and where she lives and creates.
Kylie Stillman’s silhouetted carvings of natural forms, such as trees and birds, are built up slowly over days and weeks, hollowed out from stacks of reinforced paper or timber with hand tools, knives and jigsaws.
Hard and soft, volatile and permanent; Teelah George plays with paradoxes in textiles and bronze.
Working from the APY Lands, Robert Fielding blends Indigenous tradition and culture with innovative forms.
Showing serene images of family life on a cattle farm south of Perth, Abdul-Rahman Abdullah captures poignant and fun insights into parenting and creating.
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
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