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Suggested Reading
Falling Better with Patrick Pound
For Patrick Pound, whose new installation The Museum of Falling is on show now at the City Gallery, the arrangement of objects and images has long blurred the line between fact and fiction, jolting our perception in surprising and unusual ways.
Peter Hill
Jonathan Jones on Country and kinship
bagan bariwariganyan: echoes of country, curated by Jonathan Jones and now showing at Bundanon, highlights a long history of Indigenous art on the New South Wales south coast, with works and installations from Jones, Aunty Julie Freeman, Aunty Cheryl Davison, and Mickey of Ulladulla.
Steve Dow
Inside Nathan Beard’s Preston studio
Symbols and images dance across Nathan Beard’s vast body of work, all connecting back to his Thai-Australian heritage. We step inside the artist’s studio space in Preston, Victoria, and discuss his upcoming exhibition at Sweet Pea Gallery.
Giselle Au-Nhien Nguyen
Self reflections with Jack Ball
In his latest exhibition at Perth Institute of Contemporary Art, Jack Ball challenges the extractive history of the archive while searching for shapes that can articulate the complexity of trans life.
Josephine Mead
Ben Quilty on painting paradoxes
Ahead of his major retrospective at Jan Murphy Gallery, Ben Quilty spoke with fellow painter Georgia Spain about wrestling with mythology, the contradictions of joy and suffering, and a belief in art as an antidote to an increasingly volatile world.
Georgia Spain
20/20 vision: on the legacy of un Magazine
un Magazine was conceived to champion courageous art criticism in an art world too often shaped by power and influence, a mission that still endures two decades on.
Andrew Stephens
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