Tracey Clement is an artist and freelance writer. She has a PhD in contemporary art, as well as a diploma in jewellery design, an undergraduate degree in art history-theory and a master’s degree in sculpture.
With a practice spanning four decades, Melbourne-based jeweller Susan Cohn makes both highly wearable and deeply political work.
Elaine Campaner’s photographs of multilayered dioramas reward intense viewing.
The Margaret Olley survey show at Queensland Art Gallery | Gallery of Modern Art (QAGOMA) is subtitled A Generous Life, but it could just as easily have been called Margaret Olley: Rebel.
Delving into the archives at State Library of Victoria, Höflich will research magical practices as ways of measuring and predicting, in response to a culture shaped by digital algorithms.
The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
A group exhibition that seeks to highlight Indigenous knowledge and insights into natural ecologies.
Monet: Impression Sunrise is a chance to reflect on the vagaries of history.
Colour is an ongoing preoccupation for Lara Merrett, and the paintings for Flip side are steeped in it.
Hazara artist Elyas Alavi’s practice is motivated by poetry, the masks a survivor wears and the plight of those left behind.
What is drawing? According to the catalogue for its 21st iteration, the Dobell Drawing Prize has always invited this query. It seems like a simple question, but in Dobell Drawing Prize #21 the answer was convoluted.
Juanita Nielsen’s short life and unsolved disappearance has inspired movies, books, TV specials, newspaper articles, and now a multimedia installation by Sydney-based artist Zanny Begg titled The Beehive.
After Nature is filled with works that are aesthetically alluring and spectacular in scale.
