Nadiah Abdulrahim

Writer

Nadiah Abdulrahim is a Melbourne-based writer and editor. She graduated with a BFA in Photography from the University of Tasmania before turning her attention to editing and publishing. Her writing has appeared in Meanjin, Vault and Composite Journal.

Nadiah Abdulrahim's Articles

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Joan Ross: Did you ask the river?

Virtual reality and art are not often paired together, but last year Sydney-based artist Joan Ross took the plunge in this still-developing medium after being awarded the second Mordant Family VR Commission.

By Nadiah Abdulrahim

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Jahnne Pasco-White

Jahnne Pasco-White’s paintings have always had a sculptural element to them; she experiments with the layers and folds of loose canvases, which she plasters with wax, resin and found materials.

By Nadiah Abdulrahim

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Danjoo – Interwoven

At the heart of Danjoo – Interwoven is pride in Country, community and culture.

By Nadiah Abdulrahim

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Echo Chambers: Art and Endless Reflections

Are some exhibitions being designed for the social media experience?

By Nadiah Abdulrahim

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The Ropes: Amrita Hepi x Adrian Piper

The work of the renowned American artist Adrian Piper will be presented alongside Amrita Hepi, a rising star in contemporary Australian performance art.

By Nadiah Abdulrahim

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Decade: Celebrating 10 Years of Hugo Michell Gallery

Hugo Michell opened his eponymous gallery in Adelaide at a hazardous time – it was late in 2008, and the GFC was in full effect.

By Nadiah Abdulrahim

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Mike Parr works blindfolded for two new shows

In the new exhibition at Anna Schwartz Gallery, KINDNESS IS SO GANGSTER, a part of the Melbourne International Arts Festival program, Parr presents his likeness in a new medium: glass.

By Nadiah Abdulrahim

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Josh X Muir

Josh X Muir at the Koorie Heritage Trust in Melbourne is the culmination of a year’s work that has seen Muir venture further into the digital realm.

By Nadiah Abdulrahim

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Jasmine Targett: Super Ecology

Throughout her career Jasmine Targett has worked with esteemed researchers and organisations, including NASA, and used their research and technology in her work.

By Nadiah Abdulrahim

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Lisa Garland and Lucia Usmiani

Gallery director Steven Joyce says the contrast between Garland’s black-and-white photographs and Usmiani’s colourful work will present well visually. “They’re showing jointly and will feed off each other,” he says.

By Nadiah Abdulrahim

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Joanna Logue: Acadia

For 20 years, Joanna Logue painted the landscape she knew best – the one right outside her relatively isolated studio in Oberon, inland over the Blue Mountains in New South Wales.

By Nadiah Abdulrahim

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Ben Howe

Ben Howe’s paintings become less clear as you move closer towards them. “I suppose my work sits within a broader definition of hyperrealism: that it’s a perfect rendition of something that never existed,” he says.

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Nadiah Abdulrahim

Writer